Towa Takaya
In resonance II
This work is an application of the oriental wireless painting method to western painting. The depth of the work, painted with multiple pearlescent materials and brass, changes depending on the light in the exhibition space. The viewer feels as if they are looking at the sun shining through the trees, but at the same time they feel as if the leaves of the trees are swaying. The work encourages the viewer to see depth and foreground as if reversed, depending on the focal point.
Material: Pearl iridescent medium, metal powder, natural pigments and oil on canvas
Size: 53cm x 33.3cm
Year: 2024
In resonance II
This work is an application of the oriental wireless painting method to western painting. The depth of the work, painted with multiple pearlescent materials and brass, changes depending on the light in the exhibition space. The viewer feels as if they are looking at the sun shining through the trees, but at the same time they feel as if the leaves of the trees are swaying. The work encourages the viewer to see depth and foreground as if reversed, depending on the focal point.
Material: Pearl iridescent medium, metal powder, natural pigments and oil on canvas
Size: 53cm x 33.3cm
Year: 2024
In resonance II
This work is an application of the oriental wireless painting method to western painting. The depth of the work, painted with multiple pearlescent materials and brass, changes depending on the light in the exhibition space. The viewer feels as if they are looking at the sun shining through the trees, but at the same time they feel as if the leaves of the trees are swaying. The work encourages the viewer to see depth and foreground as if reversed, depending on the focal point.
Material: Pearl iridescent medium, metal powder, natural pigments and oil on canvas
Size: 53cm x 33.3cm
Year: 2024
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